Our Leading Record of 2025: The Artist's Lux Secures the Premier Position.
On the surface, this work may look more like a difficult scholarly quiz rather than the latest popular music project from a musician whose last single featured an international K-pop icon. Broken across 4 different sections and sung in thirteen tongues, it is a head-spinning symphonic album exploring female mystique, religious transcendence, and corporal transformation, often by way of the lens of various women saints. The dissolution of a relationship—a theme treated with grounded openness elsewhere—soars skyward on this record, buoyed by the constant sound of a full symphony orchestra and input from a Pulitzer-winning composer within a vast list of contributors. Its sheer daring by itself renders the efforts of other artists look quite modest.
Rising Above Scholarly Exercise
That Lux succeeds in avoid overly academic chin-stroking is nothing short of a miracle, and full praise going to the artist. Although it's not the first time album to alchemize historical sounds with modern styles, the scale feel far higher here, and the tightrope walk more dramatic. The element that truly raises this fourth album, outside of its multilayered melodies, dense arrangements, and engrained drama, proves to be a core sense of fun. Much like the iconic artist during her height, there is a captivating sense to the vocalist's voice which sweeps the listener into its tornado. Even when she's breaking hearts apart, you nevertheless desire to be alongside her through the journey.
A Signature Moment of Joy
That playful spirit shines brightly on the stunning piano-led ballad inspired by a saint. It luxuriates in a sorrowful whirlpool for more than four moments. Suddenly, everything falls away, and we hear a gleeful laugh and a comment before a hilariously over-the-top string crescendo thuds in with comedic impact. The track then segues into the frenetic single driven by galloping orchestration, an imposing choral group, and a surprise role from the artist herself.
"The charm of this album is that you rarely exactly understand—nor want to know—where it will go next."
Nearly each track ends at a completely distinct point than how it began. One moment explores the transient trappings of celebrity over a delicate orchestration before disintegrating in electronic chaos. Another, a song that recalls her earlier trap-infused work starts off dark and sinister, with menacing beats, until fluttering flamenco handclaps and an angelic chorus arrive to soften its jagged corners.
The Balance Of Experiment & Accessibility
Another crucial achievement on the album involves straddling the line of radical experimentation and mainstream appeal. This is no coincidence that it has become the artist's first release to break into the Top 5 of major charts: its heart contains a collection of utterly undeniable pop songs. One track performed entirely in English swells around a refrain that feels to gather more and more infectious hooks while it spins upward. That trick gets repeated by another powerful track that expands and constricts, weaving layered melodies as a complex tapestry.
- A waltz-like song seduces via its jaunty, Disney-adjacent flair and an anthemic chorus.
- Lyrically, it shares with pop culture impact of contemporary heartbreak songs, eviscerating an ex- lover described as an "psychological bully".
- Across these tracks, the singing carry a painted-on edge, akin to a storybook figure concealing a knife: "Gold medal in being a scoundrel / You have won the trophy of disappointment."
A Maximalist Banquet for the Soul
This album is popular music on a grand scale, an ambitious reach for high artistry in an era of impending AI-generated blankness. It eschews solipsism in favor of sublime transcendence, crafting an over-the-top drama that masterfully controls its own built-in excess. It is an abundant source of hidden treasure that takes patience to completely explore but doesn't seem like a chore. Where other major releases of the year felt like feasting on meal, this record is a sumptuous feast where the guests around the table, perhaps tipsy on holy drink, flit from conversations about ancient saints, the profound feeling of heartbreaking sadness, and shared gossip about useless partners. In essence, it's a contemporary musical from music's truly restlessly inventive visionary.